this will be filled with major plot spoilers. if you’re here trying to decide whether to go see the movie, go see the stupid movie. it’s good. you’ll love it.
*hillary shimmy* hoo! okay.
rogue one is in the upper tier of star wars films. 7 was better, but it’s better than 6. i am open to placing it equal to or even above 7 upon more viewingses.that makes the tier order 1. New Hope/Empire per your own personal preference, 2. Force Awakens, 3. Rogue One, 4. Jedi, 5. monday morning meetings, 6. revenge of the sith, 7. getting a root canal, 8. groan wars/phantom grimace.
i struggled with the first act or so a little bit, which might have been the movie and might have been that i wasn’t properly caffeinated yet. we’ll see when i see it again. which, i’m totally seeing it again at least once.
the best part is, rogue one is here to help fix star wars in general. every time i’ve watched the original movie, i’ve been bugged a little bit more by a nagging plot hole: how can such a gargantuan and well-engineered thing as the death star have a dumb little flaw like that? i’d always assumed the rebels could only have gotten the death star plans from a defector, but how there’s such a gaping flaw just boggled the mind.
enter this movie. an unwilling engineer to the project built the death star to be vulnerable to attack on its exhaust port and then was himself the defector who told the rebellion where the flaw was (through giving them the plans and hinting at it in his hologram). pow. plot hole closed. rogue one is a top-flight star wars movie simply on the basis of making the OG star wars even better.
so anyway, i think part of what made this movie a little tough for me to get into was the bewildering array of names and locations it throws at you in about ten minutes of screen. (imdb for spelling) enter Galen and Jyn Erso, Cassian, Saw Gerrera, K2, Jedha and three other planets, you’re just tossed in here. i’m down to just be tossed in to a universe, don’t get me wrong, but it was a little confusing and the barrage of locations made me barely remember any of them.
the movie really comes into its own for me when jyn, on jedha, encounters the hologram of her dad. i dont understand what made saw gerrera decide “nah you go i’ll just chill here and die” but other than that it’s tough to have much complaints about the rest of the story. hell, the good guys don’t even live to tell the tale. that was outright arresting. there’s no ex machina to swoop in and save jyn and cassian on the beach? they just… they win, but are left in an impossible situation, and just… the movie lets them die?
do you guys understand how bold that is? hollywood heroes always live to the end credits. no matter how positive you are they’re toast. killing off characters not only prevents $equel$, it’s emotionally risky. you’re either going to make the viewer sad, or you’re not, and the latter means they didn’t connect to your characters. it means you failed. when the stormtroopers shred k2 i figured that was the token Good Guy Death since he was after all a robot, even if he was robot alan tudyk. then the movie immediately shows me they died for something, when stunning young carrie fisher lookalike ingvild deila (with some post-effects help of course) gets the plans, says something nice about hope, and we know what’s going to happen from there. to kill the main characters like that, the movie has to first a) make you understand them, b) make you like them, c) make you attach to them, and then d) take them from you, but show it wasn’t in vain. it’s a bold move, a confident move, and it worked brilliantly.
the only thing i would change is probably the rest of the ending. i’d find a way for the battle at the end to blend seamlessly into the beginning of episode 4. i really thought that’s what was happening when vader said to assemble a boarding party, and when it wasn’t, felt let down (and then remembered that the planet they were around was totally not tatooine). maybe leia’s ship immediately blasts to anywhere in hyperspace, any rim system to try to avoid detection, but somehow the star destroyer follows them, leia tells r2d2 she needs to record a message, and roll credits. idk it needs work but i am also not getting paid trillions of dollars to write movies either.
oh and let’s not forget that c3po found a way to worm his stupid ass into the movie for exactly 10 seconds, which he spent WHINING, BECAUSE HE IS GOOD FOR NOTHING ELSE. i’d delete that too.
sitting here trying to think of what else to say, it strikes me how powerful rogue one really was. it feels like SO MANY THINGS HAPPENED when really there’s just a prologue and 3 distinct acts.
P. galen gets taken
1. jyn comes to the rebellion
2. galen gets killed
3. the assault on the archives
that’s it. that’s the movie. it’s so simple. just a couple of really big events move jyn erso from Fuck Everyone And Your Cause, to dying for it. it only really takes one big event for cassian to go from I’m Just Following Orders to disobeying outright for his conscience. these are effective and make sense, not giant leaps like jyn discovering cassian’s dad was also called galen or something. (i will seriously never forgive bvs.) character arcs move more in two hours than they do in many movies that stretch on for ages. and that’s why rogue one is the prequel we all deserved, man. imagine character work like this around anakin and obi-wan, instead of… trade routes… and monologues about sand. i can’t wait to see this thing again and pick up on all the little things i didn’t catch the first time around. and i hope we get more little side-stories like this in the intervening time between real star wars movies, and maybe even after as long as they stay good. the universe has a TON of untapped stories to tell. if KOTOR taught us anything it’s that.
attached trailer reviews: all garbo except hidden figures, and even that i don’t have any need to see in theaters. give to netflix pls.